Hecate’s place, Te Henga

Hecate’s place, Te Henga

    HECATE’S PLACE, TE HENGA, APRIL 1983   It is April 1983. I am drawn to making a large pit in the sand, big enough to lie in. I dig a deeper hole within it; add shells, seaweed, sticks and a feather. It feels like a shrine, something secret. I add...

Taking the sand work to San Francisco

  TAKING THE SAND WORK TO SAN FRANCISCO 1982 In 1982 I received a grant from the NZ Arts Council for a two-month trip to the west coast of America. For most of that time, I was in Berkeley, studying Feminist Art at Berkeley University. I also made many networking...
Art in Nature: Openings to the sea

Art in Nature: Openings to the sea

    OPENINGS TO THE SEA: Summer Solstice 6/1/1983   Once again, I was returning to sand rituals at summer solstice, a pattern that would continue. When my son travelled to stay with his father for the first part of each summer, I took up residence in...

Art in Nature: Beginnings

    BEGINNINGS   In May 1978 artist Allie Eagle came to live in the studio behind my bach, and on the weekends when I came to visit from the city, we shared the bach living space. I was intrigued by Allie’s trips to the sea, where she dug into the...
Art in Nature blog: Introduction

Art in Nature blog: Introduction

INTRODUCTION TO THE ART IN NATURE BLOG   Working with nature: elemental artworks by Juliet Batten     I am creating this thread in order to document and honour the artworks I created in nature from the late 1970s onward. At the time, much of this work...